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	<title>Audio Genetics Lab</title>
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	<link>http://audiogeneticslab.com</link>
	<description>Sonic specimens of the highest scrutiny!</description>
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		<title>April Special: &#8220;Epic Epic&#8221; is now available</title>
		<link>http://audiogeneticslab.com/posts/131</link>
		<comments>http://audiogeneticslab.com/posts/131#comments</comments>
		<pubDate>Mon, 02 Apr 2012 06:47:17 +0000</pubDate>
		<dc:creator>Audio Genetics</dc:creator>
				<category><![CDATA[Instruments]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://audiogeneticslab.com/?p=131</guid>
		<description><![CDATA[<p>April 1, 2012 </p> <p>&#160;</p> <p>For years, composers have been yearning for the biggest sounds…the hardest impacts…and power of the grandest scales.</p> <p>The search for the most epic, cutting edge, and next-generation instruments have led sound designers to the farthest reaches of the globe in search of a revolution.</p> <p>Audio Genetics Lab has joined the uprising.</p> <span style="color:#777"> . . . &#8594; Read More: <a href="http://audiogeneticslab.com/posts/131">April Special: &#8220;Epic Epic&#8221; is now available</a></span>]]></description>
			<content:encoded><![CDATA[<p>April 1, 2012 <a href="http://audiogeneticslab.com/wp-content/uploads/EpicTitle.png"><img class="alignright size-medium wp-image-128" title="EpicTitle" src="http://audiogeneticslab.com/wp-content/uploads/EpicTitle-300x200.png" alt="" width="300" height="200" /></a></p>
<p>&nbsp;</p>
<p>For years, composers have been yearning for the biggest sounds…the hardest impacts…and power of the grandest scales.</p>
<p>The search for the most epic, cutting edge, and next-generation instruments have led sound designers to the farthest reaches of the globe in search of a revolution.</p>
<p>Audio Genetics Lab has joined the uprising.</p>
<p>Introducing…</p>
<p>&nbsp;</p>
<p><strong>Epic Epic. </strong></p>
<p>&nbsp;</p>
<p>After a year of working on private contracts for composers, we knew that to celebrate a return to public products we would need something bigger, something better, something more epic than ever heard before.</p>
<p>We went straight to the source.</p>
<p>What could be more epic than the actual word “Epic”? This collection of percussion, ambiences, and effects has been crafted from emotional, real performances of the word “Epic”, redefining the sampling world and industry in two thunderous syllables. Feel the opening bellow of the “E”, the warm percussives of “p”, the crisp highs of the “i”, and the sharp snaps of the “c” in this one-of-a-kind performance instrument. Included for a limited time is the Extra-Special Extended Library patch which includes additional articulations,such as “Huge”, “Boom”, and more.</p>
<div id="attachment_129" class="wp-caption alignleft" style="width: 310px"><a href="http://audiogeneticslab.com/wp-content/uploads/Haule_AGL.png"><img class="size-medium wp-image-129" title="Haule Reverb" src="http://audiogeneticslab.com/wp-content/uploads/Haule_AGL-300x280.png" alt="" width="300" height="280" /></a><p class="wp-caption-text">The new &quot;Haule&quot; reverb IR</p></div>
<p>And we didn’t stop there. These instruments really come alive when you use our custom “<strong>Haule</strong>” convolution reverb impulse response. The virtual instrument world is flooded with imitation Hall reverbs, relying on churches, large recording spaces, concert venues, and mathematical models as their “hall”. Again, we went straight to the source. This hall reverb is an actual hall, inaccessible to the public and made specially available only to Audio Genetics Lab. Only a real hall reverb can provide the subtle resonances and reflections of both closed and open doors to other rooms such as bathrooms, kitchens, and bedrooms. With Audio Genetics Lab’s “Haule”, you can walk down the path to realism,and open the doors of possibility.</p>
<p><strong>Epic Epic</strong> features unprecedented advances in button technology by bringing you the ability to access revolutionary audio effects (present since Kontakt 2) that were previously only available by selecting them from a complicated “drop-down menu”. Now,you can finally get to these nearly decade-old built-in effects with our incredible array of custom UI button placements. Some of our new buttons and knobs were so revolutionary,easy-to-use,and intuitive that we have even removed them completely from view. This allows you to truly feel the music and get straight to composing without worrying about technical roadblocks like delay times,envelopes,and filter cut-offs.</p>
<p>The release of <strong>Epic Epic</strong> is accompanied by the simultaneous announcement of <strong>Epic Epic <em>Pro</em></strong>, which will feature all new content recorded directly to analog tape using vintage microphones. These recordings truly shine in their raw,vintage glory after being processed through our digital noise reduction, filtering, compression, sample-rate conversion, and Kontakt programming.</p>
<p><strong>Epic Epic <em>Pro</em></strong> will also give you access to our new sample playback engine “Work”, for the working composer. Featuring all the same or fewer features of Kontakt, but with less clutter, confusion, flexibility, and compatibility. This new platform is currently in beta testing, and is guaranteed to be incredibly efficient when run on a 2.4 GHz Mac Pro with 5 gigs of RAM, running OS 10.6.7, between the hours of 7:00am –11:45pm GMT, when the average humidity is between 10% and 65%.</p>
<p>&nbsp;</p>
<p>Listen to demos of our newest Audio Genetics Lab creation, Epic Epic, and download your free copy from the page below. Requires a full retail copy of Kontakt 4 (or more recent).</p>
<p><a title="Epic Epic" href="http://audiogeneticslab.com/instruments/free/epic"> http://audiogeneticslab.com/instruments/free/epic</a></p>
<p>&nbsp;</p>
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		<title>Magnus Chord Organ &#8211; FREE download</title>
		<link>http://audiogeneticslab.com/posts/118</link>
		<comments>http://audiogeneticslab.com/posts/118#comments</comments>
		<pubDate>Tue, 07 Sep 2010 00:40:41 +0000</pubDate>
		<dc:creator>Audio Genetics</dc:creator>
				<category><![CDATA[Instruments]]></category>
		<category><![CDATA[Keyboards]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Magnus Chord Organ]]></category>

		<guid isPermaLink="false">http://audiogeneticslab.com/?p=118</guid>
		<description><![CDATA[RELEASE ANNOUNCEMENT: <p>Dug up from the archives and presented free to the public is our newest genetic specimen:  the Magnus Chord Organ.  This small subspecies is closely related to the accordion and harmonica, with the key difference being the source of the air movement generating from an electric fan as opposed to moving bellows or <span style="color:#777"> . . . &#8594; Read More: <a href="http://audiogeneticslab.com/posts/118">Magnus Chord Organ &#8211; FREE download</a></span>]]></description>
			<content:encoded><![CDATA[<h4><a href="http://audiogeneticslab.com/instruments/free/magnus-chord-organ"><img class="alignleft size-full wp-image-120" title="Magnus Poster" src="http://audiogeneticslab.com/wp-content/uploads/MagnusPostermed.gif" alt="" width="390" height="520" /></a>RELEASE ANNOUNCEMENT:</h4>
<p>Dug up from the archives and presented free to the public is our newest genetic specimen:  the Magnus Chord Organ.  This small subspecies is closely related to the accordion and harmonica, with the key difference being the source of the air movement generating from an electric fan as opposed to moving bellows or lungs.  Originally three keyboard octaves, and including a number of accordion-like chord buttons, this family instrument was widely distributed in the 1970&#8242;s.  It has a raw, charming quality to its sound.</p>
<p>We at the lab have worked with this specimen and created a small collection of patches generated from the original parent instrument and our audio genetic offspring.  These patches were so joyous to work with, we felt they should be shared with the public for free.  You are fully permitted to use this library in any commercial recordings that you like, and we encourage users to continue to modify the gene pool of the instruments themselves.</p>
<h3><a title="Magnus Chord Organ Research Page" href="http://audiogeneticslab.com/instruments/free/magnus-chord-organ" target="_self">CLICK HERE for more information and to download this FREE collection.</a></h3>
<p>-A.G.L.</p>
]]></content:encoded>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Native Flute: Effects and Mutations</title>
		<link>http://audiogeneticslab.com/posts/91</link>
		<comments>http://audiogeneticslab.com/posts/91#comments</comments>
		<pubDate>Wed, 11 Aug 2010 01:22:39 +0000</pubDate>
		<dc:creator>Audio Genetics</dc:creator>
				<category><![CDATA[Instruments]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Winds]]></category>
		<category><![CDATA[Native Flute]]></category>

		<guid isPermaLink="false">http://audiogeneticslab.com/?p=91</guid>
		<description><![CDATA[RELEASE ANNOUNCEMENT: <p>Our work on the newest audio specimen pool based on the aerophone genome is complete.  This collection was put into motion by private interests, but is now available to the general public.  Go to the research page for more information, audio demos, and to order the specimens for your own audio research and <span style="color:#777"> . . . &#8594; Read More: <a href="http://audiogeneticslab.com/posts/91">Native Flute: Effects and Mutations</a></span>]]></description>
			<content:encoded><![CDATA[<h4><a href="http://audiogeneticslab.com/instruments/native-flute"><img class="alignleft size-medium wp-image-92" title="AGL-NativeFlute" src="http://audiogeneticslab.com/wp-content/uploads/AGL-NativeFlute-225x300.gif" alt="Product Image for Native Flute" width="225" height="300" /></a>RELEASE ANNOUNCEMENT:</h4>
<p>Our work on the newest audio specimen pool based on the aerophone genome is complete.  This collection was put into motion by private interests, but is now available to the general public.  Go to the research page for more information, audio demos, and to order the specimens for your own audio research and composition.</p>
<h3><a title="Native Flute Research Page" href="http://audiogeneticslab.com/instruments/native-flute" target="_self">CLICK HERE to be redirected to our research page for this new library of fine sonic specimens.</a></h3>
<p>-A.G.L.</p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Free Tongue Drum bundle released</title>
		<link>http://audiogeneticslab.com/posts/87</link>
		<comments>http://audiogeneticslab.com/posts/87#comments</comments>
		<pubDate>Wed, 07 Jul 2010 00:46:41 +0000</pubDate>
		<dc:creator>Audio Genetics</dc:creator>
				<category><![CDATA[Drums]]></category>
		<category><![CDATA[Instruments]]></category>

		<guid isPermaLink="false">http://audiogeneticslab.com/?p=87</guid>
		<description><![CDATA[<p class="wp-caption-text">Freely Downloadable Kontakt Instrument</p> RELEASE ANNOUNCEMENT: <p>The goal of our research team here at the Audio Genetics Lab is to take natural specimens from the world, mine their acoustic genome for aurally useful and stimulating possibilities, and then reconstruct the original specimen into wholly new creations of organic and inorganic compatibility through advanced audio <span style="color:#777"> . . . &#8594; Read More: <a href="http://audiogeneticslab.com/posts/87">Free Tongue Drum bundle released</a></span>]]></description>
			<content:encoded><![CDATA[<div id="attachment_82" class="wp-caption alignleft" style="width: 235px"><a href="http://audiogeneticslab.com/instruments/free/tongue-drum"><img class="size-medium wp-image-82 " title="Tongue Drum by Audio Genetics Lab" src="http://audiogeneticslab.com/wp-content/uploads/TongueDrum-225x300.gif" alt="Tongue Drum Logo" width="225" height="300" /></a><p class="wp-caption-text">Freely Downloadable Kontakt Instrument</p></div>
<h4>RELEASE ANNOUNCEMENT:</h4>
<p>The goal of our research team here at the Audio Genetics Lab is to take natural specimens from the world, mine their acoustic genome for aurally useful and stimulating possibilities, and then reconstruct the original specimen into wholly new creations of organic and inorganic compatibility through advanced audio gene manipulation.  The new species are then organized and compiled into highly-performable instruments for use by other researchers in their home labs/studios.</p>
<p>The results of our first round of testing and audio genetics on the Tongue Drum dataset is complete.  The library is now released freely to the public for download and use.  We at the lab will welcome reports of use, side effects, and temperment changes resulting from use of these specimens.</p>
<h3><a title="Tongue Drum" href="http://audiogeneticslab.com/instruments/free/tongue-drum" target="_self">Go to the research page HERE for the download and detailed research findings.</a></h3>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Experiment Log &#8211; &#8220;Sonority of Musical Plectrums Under Stress&#8221;</title>
		<link>http://audiogeneticslab.com/posts/75</link>
		<comments>http://audiogeneticslab.com/posts/75#comments</comments>
		<pubDate>Tue, 15 Jun 2010 21:44:59 +0000</pubDate>
		<dc:creator>Audio Genetics</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://audiogeneticslab.com/?p=75</guid>
		<description><![CDATA[<p>Project Synopsis: Continuation of the examination of the potential musical application of music applicators.  In this instance, plectrums of varying densities and materials will be subjected to many stressful stimuli including:</p> Scraping Drilling Abrasive brushwheel Vocal ridicule Water submersion Burning <p>The plectrum will be analyzed throughout the process for potential sonic material, and any useful <span style="color:#777"> . . . &#8594; Read More: <a href="http://audiogeneticslab.com/posts/75">Experiment Log &#8211; &#8220;Sonority of Musical Plectrums Under Stress&#8221;</a></span>]]></description>
			<content:encoded><![CDATA[<p><strong><span style="text-decoration: underline;">Project Synopsis</span>:</strong> Continuation of the examination of the potential musical application of music applicators.  In this instance, plectrums of varying densities and materials will be subjected to many stressful stimuli including:</p>
<ul>
<li>Scraping</li>
<li>Drilling</li>
<li>Abrasive brushwheel</li>
<li>Vocal ridicule</li>
<li>Water submersion</li>
<li>Burning</li>
</ul>
<p>The plectrum will be analyzed throughout the process for potential sonic material, and any useful results will be documented for later study.  It is the goal of the researchers to raise the self-worth of the plectrums by uncovering their own musical potential as separate from the typical use of applying music-inducing force upon other inherently musical devices in rapid succession (<em>see Malmsteen, 120</em>).</p>
<p style="text-align: center;"><a href="http://audiogeneticslab.com/wp-content/uploads/GlassPick.gif"><img class="size-full wp-image-76 aligncenter" title="Application of abrasive brushwheel on plectrum" src="http://audiogeneticslab.com/wp-content/uploads/GlassPick.gif" alt="Plectrum Under Stress" width="576" height="522" /></a></p>
<p style="text-align: center;">
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		<slash:comments>2</slash:comments>
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